New Products

Three-ply Jazz Bass® style pickguards with 10 mounting holes. This pickguard is routed for a standard J-Bass style pickup and wiring configuration. All mounting holes are countersunk.

Replacement pickguard for Telecaster guitars. These pickguards feature five mounting holes. Cut from a thicker single ply sheet, these pickguards offer a vintage style with added rigidity.

Replacement pickguard for Fender® '62 Strat® models. These pickguards have eleven mounting holes with one of the holes centered between the middle and neck pickups for compatibility with most American, Japanese, and Mexican '62 Stratocasters®.

Round back cover for Gibson® Les Paul® switch cavities. These switch covers are made of single-ply material with three mounting holes and a foil backing.

Pickguards for Gibson® Les Paul® guitars with two humbucker pickups. Mounting bracket is sold separately. See P-GKLU-KLP1731C. See dimensional drawing below for size details.

Vintage style diagonal mount tuning machine set featuring a solid metal Schaller-style knob and are finished in chrome. These stamped tuners feature a classic diamond shaped back cover that can be removed for a more traditional look. The gear ratio is 15:1. All mounting hardware is included in this six in a line tuner set.

Hummingbird acoustic pickguard with adhesive backing. This tortoise color pickguard features the classic white and gold hummingbird graphic.

Replacement pickguard for Fender® 1957 Strat® models. These single ply pickguards have eight mounting holes. Cut from a thicker single ply sheet, these pickguards offer a vintage style with added rigidity. Fits most American, Japanese, and Mexican '57 Stratocasters®.

Aluminum hum shield for Stratocasters®. The humshield is mounted directly beneath the pickguard to help protect internal electronics from RF interference. This shield includes mounting holes that are compatible with 8 hole pickguards, ‘62 11 hole pickguards, and standard 11 hole pickguards.

Backplate cover for Gibson® Les Paul® electronics cavities. These covers are made of single-ply material with four mounting holes and a foil backing.

High-quality USA made knobs from Davies Molding. The small skirted 1610 knob is made of solid phenolic and features an indicator line on the 0.91” diameter skirt. This classic knob has been used on a variety of equipment and most notably on the Buchla 100 Series as well as some 200 Series modules.

• Height: 0.59 in.
• Diameter: 0.91 in.
• Fits ¼" shaft with set screw

The large skirted 1600 knob is made of phenolic and features an indicator line on the 1.5” diameter skirt. This classic knob has been used on a variety of equipment and most notably on the Buchla 100 Series as well as some 200 Series modules.

• Height: 0.69 in.
• Diameter: 1.5 in.
• Fits ¼" shaft with set screw

High-quality USA made knobs from Davies Molding. This vintage-style 2150 pointer knob is made of solid phenolic and features an infilled indicator line. The detailed design has a mixture of ridges, curves and lines giving it a distinctively vintage appearance. The 2150 can be found on vintage equipment such as the Echoplex tape delay and test equipment from RCA and National Radio Company.

• Height: 0.56 in.
• Length: 1.25 in.
• Fits ¼" shaft with set screw

High-quality USA made knobs from Davies Molding. The large skirted 1919 pointer knob is made of solid phenolic and features an infilled indicator line. The pointer has an overall length of 1.25” and the skirt’s diameter is 1.13”. This knob shares design elements of the Davies 19xx knobs allowing for a uniform look while using a variety of knob shapes and styles.

• Height: 0.625 in
• Length: 1.25 in.
• Fits ¼" shaft with set screw

Stripboard featuring standard 0.1” (2.54mm) spacing. The board has a 30x15 grid (15 strips) and easily fits into 1590BB style enclosures and larger vintage-style fuzz enclosures. Each strip is HASL coated making soldering easier than most protoboards and also ensures a long shelf life. Features:

• High-quality 1.6mm FR4 glass-epoxy circuit board
• 1oz/ft2 copper weight
• HASL coated strips
• 30 x 15 holes (15 strips)
• 3.04” x 1.55”

PCBs with similar styling to the eyelet/fiberboard used in vintage equipment. The spacing between pads is 6.35mm horizontally and 22mm vertically. The two mounting holes have a 3.2mm diameter to fit M3 or 4-40 hardware and also fit the S-H190-X adhesive standoffs perfectly. 2x9 Board:

• 2 rows of 9 eyelets (18 total)
• 6.35mm x 22mm eyelet spacing
• 55.44mm x 26.66mm board
• 45mm spacing for 3.2mm mounting holes
• Great fit for 1590B and Gorva C65 enclosures

Surface mount MMBFJ201 JFETs presoldered to TO-92 adapter boards. Use wire, clipped component leads, or pin headers to easily attach these adapters to PCBs using TO-92 footprints for J201s. These JFETs can be found in many effects pedals, synthesizers, and other projects. The J201 / MMBFJ201 is an N-Channel general purpose amplifier JFET. This device is designed primarily for low level audio and general purpose applications with high impedance signal sources. The pinout is marked on the PCB and is DSG when facing the component side.

PCBs with similar styling to the eyelet/fiberboard used in vintage equipment. The spacing between pads is 7.5mm horizontally and 26mm vertically. The two mounting holes have a 3.2mm diameter to fit M3 or 4-40 hardware and also fit the S-H190-X adhesive standoffs perfectly. 2x8 Board:

• 2 rows of 8 eyelets (16 total)
• 7.5mm x 26mm eyelet spacing
• 57.15mm x 30.66mm board
• 45mm spacing for 3.2mm mounting holes
• Great fit for 125B and 1590N1 enclosures

2x12 Board:

• 2 rows of 12 eyelets (24 total)
• 7.5mm x 26mm eyelet spacing
• 87.15mm x 30.66mm board
• 75mm spacing for 3.2mm mounting holes
• Great fit for 1590BB enclosures

Quik-Cure™ 5 min. epoxy cures to a slightly flexible consistency. This lack of brittleness allows it to form a lasting bond in areas subjected to high vibration or stress. Quik-Cure™ shouldn’t be used in areas that are subject to long-term immersion in water; however, it works fine for the internal structure of wood framed boats. Quik-Cure™ is our only epoxy on which you can apply polyester resins. It can be mixed with microballoons to form a quick setting putty. Items bonded with Quik-Cure™ can be handled after 15 minutes. Full strength is reached in 1 hour. Works Best On:

• Hard Wood
• Glass & Metal

Works Well On:

• Balsa Wood
• Soft Wood
• Fiberglass
• Ceramics
• Hard Plastics
• White Foam
• Reinforcing

Directions: Quik-Cure™ 5 min.

2N5458 N-channel JFET in a TO-92 package. The 2N5458 is an N−channel junction field effect transistors, depletion mode (Type A), designed for audio and switching applications. Features

• N−Channel for Higher Gain
• Drain and Source Interchangeable
• High AC Input Impedance
• High DC Input Resistance
• Low Transfer and Input Capacitance
• Low Cross−Modulation and Intermodulation Distortion

The Tube Amp Doctor premium selected 12AX7 / ECC83-Cz features big, warm, clean sounds with a mellow top-end when pushed to overdrive. It’s a great choice for guitar amps and HiFi alike. The ECC83-Cz is recommended if you want to emphasize punchy mids and is especially great when pushed into a fat overdrive. The TAD™ ECC83-Cz is a miniature, high-mu twin triode with good gain, round deep bass, somewhat compressed mids and very smooth top end. Selected and recommended for guitar amps to smoothen up the tone or for HiFi to shape the body of sound more to “that” tube tone. Best for jazzy and thick clean as well as for vintage bass response. Recommended for all positions in amps with medium gain level or High-Gain Amps for V2+ positions. As for V1 in general but especially for higher gain amps or phono/audio-amps, we recommend the RT030 7025/E83CC Highgrade, T-7025-HG-TAD.

The Classic Sound of the 1950s and 60s - Excellent Tone, Maximum Lifetime! The TAD 6L6WGC-STR Redbase is the perfect choice for vintage tweed and blackface amps such as the 1960s Bassman, Twin, Showman or Super Reverb. The complex midrange and sweet heights are a class of its own. The TAD 6L6WGC-STR Redbase is recommended for classic tone with warm cleans and rich, sweet mids when pushed. Great for fat jazz or blues tones and our favorite in all open back combo amplifiers. The TAD 6L6WGC-STR is a remake of the small bottle clear-top GE6L6GC and has the same warm lower midrange and silky top end as the classic GE versions of the 1950s and 60s. Like the historic RCA 5881, this tube features a small bottle enclosure, clear top and side getter. The TAD 6L6GCM-STR and the TAD 6L6WGC-STR have our exclusive beefed up cathode coating, gold grid wire, double getter construction, no-noise filaments and 1.2mm thick heavy duty glass.

The BC338 is a silicon general purpose NPN transistor in a TO-92 package. The BC338’s typical applications include signal processing, amplification, and switching. The BC338 is available in three different gain ranges: BC338-16, BC338-25, and BC338-40. Type hFE Range (IC=100mA, VCE=1V) Typical hFE (IC=100mA, VCE=1V) BC338-16 100-250 160 BC338-25 160-400 250 BC338-40 250-630 400

The BC184 is a general purpose NPN transistor in a TO-92 case. The BC184 is commonly used in fuzz pedals and has a reputation as a warm sounding silicon transistor for fuzz. BC184 was used in various Colorsound pedals - Jumbo Tone Bender, Supa Tone Bender, Power Boost, etc. It was also used in the Schaller Fuzz, and has been used in fuzz pedals from well-known builders such as Skreddy Pedals, D*A*M, and Stu Castledine.

The 2N5172 is a silicon general purpose NPN transistor in a TO-92 package. The 2N5172’s typical applications include general purpose amplification and switching.